Hi, I’ve covered all my ballots, so time for a personal plea. I’m based in Brisbane, but I did most of my growing up in Wellington, New Zealand. At this years Worldcon, site selection voting will occur for Worldcon 78 in 2020, and Wellington is the only venue on the ballot. However, it is theoretically […]
Author: James
Hugo Awards Extravaganza 2018 – Best Dramatic Presentation, Short Form.
Since I managed to see four of the nominees in this category in my normal watching habits, fitting USS Callister and a short track didn’t seem like much of an ask. It’s also worth noting that I nominated three things in this category: Badwater from Alice Isn’t Dead, Michael’s Gambit and Dance Dance Resolution from The Good Place. Given one of these got nominated, it’s clearly going to be top of my list, right?
Hugo Awards Extravaganza 2018 -Graphic Story
This year the graphic story category returns to an sff focus after last year’s slate dominated by Avengers. Previewing the category, we have sequels to three comics I really liked (Bitch Planet, Monstress, and Saga), one sequel to a comic I thought was OK (Paper Girls), and two new entrants (including our only superhero entry written by an author whose previous Hugo nominee I rather liked).
Hugo Awards Extravaganza 2018 – John W. Campbell Award for Best New Writer
This is the award for best new writer, regardless of output length (or quantity), and year after year it ends up my favourite category by delivering works that I think are better than any of the nominees in the main ballot. This year I will be thwarted however, as the three shorter pieces in this category are all in regular competition. On the upside, this makes this category an easy ask, as I’ve also already read Under the Pendulum Sun, leaving me with just three novels to cover.
Hugo Awards Extravaganza 2018 – Novella
Novellas are almost exclusively short novels, self contained and fully fleshed out. I was expecting good things given that one is a sequel to a novella I liked last year (A Heart Shaped Door), another by an author I liked last year (Sarah Gailey), and a third is the sequel to a 2016 winner (Binti).
Review – Binti by Nnedi Okorafor
A young girl defies her tribal traditions and sneaks off-world to university. Binti has magical artifacts, powerful rituals, strange races, and arcane institutions – it’s not science fiction that is obsessed with, or even interested in technology. Instead, Binti is about leaving home, encountering new cultures, and becoming part of the big scary world. Two […]
Hugo Awards Extravaganza 2018 – Novelette
Novelettes tend to be long short stories (7500-17500 words). The little bit of extra space gives more flexibility and can lead to greatness (last year’s Tomato Thief springs to mind), but far to often they fall into the uncanny valley where the length makes them flabby without gaining the depth of a longer work.
Hugo Awards Extravaganza 2018 – Short Story
Hugo short stories can be surprisingly long (7500 words or less). I tend to prefer the vignette, but regardless of length, I want a self contained story that hits its mark.
Hugo Awards Extravaganza 2018 – Introduction
Hugo time again. If you want a primer on the Hugo awards and where I fit in, I did one last year. This year, some personal stuff happened and I got a little bit sidetracked.
Hugo Nominee Suggestion Best Dramatic Presentation (Short Form) 2018 – Badwater (Alice Isn’t Dead)
I haven’t read enough new books or short works to tell anyone what to nominate, and I’m behind on movies, but I have been a voracious consumer of TV. The Best Dramatic Presentation (Short Form) category is generally dominated by tv episodes, so of course, what I would like to do is instead suggest you nominate a podcast episode.