Hugo Awards Extravaganza 2018 – John W. Campbell Award for Best New Writer

This is the award for best new writer, regardless of output length (or quantity), and year after year it ends up my favourite category by delivering works that I think are better than any of the nominees in the main ballot. This year I will be thwarted however, as the three shorter pieces in this category are all in regular competition. On the upside, this makes this category an easy ask, as I’ve also already read Under the Pendulum Sun, leaving me with just three novels to cover.

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Review – Binti by Nnedi Okorafor

A young girl defies her tribal traditions and sneaks off-world to university. Binti has magical artifacts, powerful rituals, strange races, and arcane institutions – it’s not science fiction that is obsessed with, or even interested in technology.  Instead, Binti is about leaving home, encountering new cultures, and becoming part of the big scary world.  Two […]

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Review – Three Parts Dead by Max Gladstone

A young woman in private practice after being cast out of the academy in disgrace, is hired by a partner in a major firm to assist in a post bankruptcy restructuring of a global entity, but a range of opponents both old and new are arrayed against her. Oh and the practice is wizardry, the academy was above the clouds, and the entity being restructured is a god.

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Review – Rivers of London Series by Ben Aaronovitch

A member of the filth finds his calling as the police’s newest, and nearly only, wizard.

Peter Grant is not your typical urban fantasy protagonist. For starters he’s a cop, and an extremely junior one at that. More importantly, at the beginning of the series, not a very good cop: better than a hanger, but lacking in the instincts and discipline that would make him stand out. He’s also black, which matter less then it might have in the past, but certainly carries varying degrees of baggage in the Police, London, and England respectively.

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