Since I managed to see four of the nominees in this category in my normal watching habits, fitting USS Callister and a short track didn’t seem like much of an ask. It’s also worth noting that I nominated three things in this category: Badwater from Alice Isn’t Dead, Michael’s Gambit and Dance Dance Resolution from The Good Place. Given one of these got nominated, it’s clearly going to be top of my list, right?
A young girl defies her tribal traditions and sneaks off-world to university. Binti has magical artifacts, powerful rituals, strange races, and arcane institutions – it’s not science fiction that is obsessed with, or even interested in technology. Instead, Binti is about leaving home, encountering new cultures, and becoming part of the big scary world. Two […]
A loyal commander teams up with a traitorous general to crush a rebellion through a combination of super advanced weapons and manipulation of the calender.
Weird is easy. Believably, coherently and off-puttingly weird is much harder…
A look at the role of football in the far future of 17776 from an extremely unique perspective…
Sometimes surprise is everything. If you have any interest in social science fiction – in particular how society adapts to change, or the nature of play, then just give 17776 a try, preferably spacing the chapters out and on a device that can scroll pages easily.
Now we get to the category where I can actually seem vaguely competent because I’ve read most of them before. As you would hope, this is an extremely strong category, and my only regret is that I didn’t have time to read more books in these series.
What happens when SFF fans nominate comic books for an award? Usually I would say you get fewer superhero titles and more SFF, but this year fully half the titles contain avengers, though not the avengers you are thinking of. Also, I love comic books, but I have no knack for visual criticism, so I apologise in advance to both readers and artists if my art criticism boils down to “it looked pretty”.
In the current climate it is very easy to focus on the big picture of the Handmaid’s tale: a take over of the US by religious fanatics leads to the wholesale oppression of women. This would however, be a disservice to what is an incredibly personal tale. At its heart, this is a book about what happens when you treat people as things, and what people in that position will do to survive. By focusing the story down to one person, the misogyny in the Handmaid’s tale expands beyond its setting to stand in for the depredations leveled against women in the past, present, and most distressingly, the future.