If the idea of an infinitely sprawling library, filled with unique books salvaged from across the multiverse, where time doesn’t pass for you while you are within its walls doesn’t appeal to you, I don’t know why you would read fantasy books at all.
Being a historian should be easier when you have a time machine and lots of tea…
It’s easy to set to set a single tone – juggling tones is a lot harder. The title and the start of One Damn Thing suggest a particular style that I love, wry British comedy, and when operating in the mode of hard work, punishing bureaucracy, farcical romance and endless tea, it’s a very enjoyable book. Unfortunately…
This year the graphic story category returns to an sff focus after last year’s slate dominated by Avengers. Previewing the category, we have sequels to three comics I really liked (Bitch Planet, Monstress, and Saga), one sequel to a comic I thought was OK (Paper Girls), and two new entrants (including our only superhero entry written by an author whose previous Hugo nominee I rather liked).
This is the award for best new writer, regardless of output length (or quantity), and year after year it ends up my favourite category by delivering works that I think are better than any of the nominees in the main ballot. This year I will be thwarted however, as the three shorter pieces in this category are all in regular competition. On the upside, this makes this category an easy ask, as I’ve also already read Under the Pendulum Sun, leaving me with just three novels to cover.
Novellas are almost exclusively short novels, self contained and fully fleshed out. I was expecting good things given that one is a sequel to a novella I liked last year (A Heart Shaped Door), another by an author I liked last year (Sarah Gailey), and a third is the sequel to a 2016 winner (Binti).
A young girl defies her tribal traditions and sneaks off-world to university. Binti has magical artifacts, powerful rituals, strange races, and arcane institutions – it’s not science fiction that is obsessed with, or even interested in technology. Instead, Binti is about leaving home, encountering new cultures, and becoming part of the big scary world. Two […]
Welcome to Nightvale is the 300lb gorilla of the sf narrative podcast scene – a community radio show from a simple town in the desert where the one world government helicopters are always circling, angels called Erika are on every corner, and the community calendar is as likely to contain temporal paradoxes as crocheting events. Nailing a tone that reminds me of the best of the comedic X-files episodes, and hosted by the mellifluous Cecil Baldwin, Welcome to Nightvale is a permanent fixture in my podcast rotation. None of which answers the current question – how does a radio show do live