In for a penny, in for a pound. I reread an October Daye book and posted old reviews for the first seven books, and I’ve ended up rereading the series and figured I would fill out the rest. Obviously once you get to book 8 of a series, the only people reading are the hard core fans, so assume that you should go back and read the earlier books before getting to these ones, and that later reviews might contain spoilers for earlier books. Thanks to The Unkindest Tide being overdue, this completes the current run of novels, and just leaves the short fiction to review…
PUFFS is clearly made by someone who loves Harry Potter, but is not blind to its faults. Ever since it appeared on the scene, fans have been obsessed with which house they would fit in (Brave, Smart, Snake), but it was fairly clear that not all houses were created equal. Puffs answers the question, what is it like to be in the other, other, other house at Hogwarts, in the most humorous way possible…
Of all the Hugo categories, this is both the strangest, and the hardest to prepare for. Basically it is the best series over 240,000 words (about 500 pages), that hasn’t won this award yet, and had an entry come out in the previous year (no matter how small).
In honour of its nomination for best series, I dug out my old reviews of the individual October Daye Books. Hopefully this will herald a new era of me collecting my previous reviews onto one site.
The marquee category, prima inter pares, what people mean when they refer to “The Hugo Award”, the novel category is open to works greater than 40,000 words (~80 pages plus). It is also the category I dread the most; no matter how bad a short story is, it will be gone in a moment, while even a good story can drag at novel length. This year I’ve read two going in, Trail of Lightning and Revenant Gun.
This is a pretty self explanatory category typically composed of graphic novels and trade paperbacks. The big story of 2019 is how stagnant the selection is; half of the Graphic Story slate has been locked in since 2017, in the form of Saga (six time nominee), Monstress (two time winner), and Paper Girls. Fortunately two of the repeats (Monstress and Saga) were my top picks of last year, so it is hard to begrudge them their perennial status.
I haven’t read enough new books or short works to tell anyone what to nominate, and I’m behind on movies, but I have been a voracious consumer of TV. The Best Dramatic Presentation (Short Form) category is generally dominated by tv episodes, so of course, what I would like to do is instead suggest you nominate a podcast episode.
Welcome to Nightvale is the 300lb gorilla of the sf narrative podcast scene – a community radio show from a simple town in the desert where the one world government helicopters are always circling, angels called Erika are on every corner, and the community calendar is as likely to contain temporal paradoxes as crocheting events. Nailing a tone that reminds me of the best of the comedic X-files episodes, and hosted by the mellifluous Cecil Baldwin, Welcome to Nightvale is a permanent fixture in my podcast rotation. None of which answers the current question – how does a radio show do live