Since I managed to see four of the nominees in this category in my normal watching habits, fitting USS Callister and a short track didn’t seem like much of an ask. It’s also worth noting that I nominated three things in this category: Badwater from Alice Isn’t Dead, Michael’s Gambit and Dance Dance Resolution from The Good Place. Given one of these got nominated, it’s clearly going to be top of my list, right?
This year the graphic story category returns to an sff focus after last year’s slate dominated by Avengers. Previewing the category, we have sequels to three comics I really liked (Bitch Planet, Monstress, and Saga), one sequel to a comic I thought was OK (Paper Girls), and two new entrants (including our only superhero entry written by an author whose previous Hugo nominee I rather liked).
This is the award for best new writer, regardless of output length (or quantity), and year after year it ends up my favourite category by delivering works that I think are better than any of the nominees in the main ballot. This year I will be thwarted however, as the three shorter pieces in this category are all in regular competition. On the upside, this makes this category an easy ask, as I’ve also already read Under the Pendulum Sun, leaving me with just three novels to cover.
Novellas are almost exclusively short novels, self contained and fully fleshed out. I was expecting good things given that one is a sequel to a novella I liked last year (A Heart Shaped Door), another by an author I liked last year (Sarah Gailey), and a third is the sequel to a 2016 winner (Binti).
A young girl defies her tribal traditions and sneaks off-world to university. Binti has magical artifacts, powerful rituals, strange races, and arcane institutions – it’s not science fiction that is obsessed with, or even interested in technology. Instead, Binti is about leaving home, encountering new cultures, and becoming part of the big scary world. Two […]
Novelettes tend to be long short stories (7500-17500 words). The little bit of extra space gives more flexibility and can lead to greatness (last year’s Tomato Thief springs to mind), but far to often they fall into the uncanny valley where the length makes them flabby without gaining the depth of a longer work.
I haven’t read enough new books or short works to tell anyone what to nominate, and I’m behind on movies, but I have been a voracious consumer of TV. The Best Dramatic Presentation (Short Form) category is generally dominated by tv episodes, so of course, what I would like to do is instead suggest you nominate a podcast episode.
I read 55 books this year, plus a wide assortment of shorter works and comics, which, while not likely even close to my peak in my teens and early 20’s, is still enough to feel pretty happy with.
One of the tragedies of the Hugos is that once the winners are announced, all the other worthy nominees tend to get forgotten. This can be particularly egregious when there is a large disparity in the categories, or there is an instant classic in a category that overshadows works that would have won in any other year. So instead of discussing the Hugo’s in terms of winners and losers, let me instead present a list of nominated stories that I think are worth reading. I hope you find something that peaks your interest…