Now we get to the category where I can actually seem vaguely competent because I’ve read most of them before. As you would hope, this is an extremely strong category, and my only regret is that I didn’t have time to read more books in these series.
As mentioned before this is not strictly a Hugo category, it just uses the same voting system with the same electorate and is given out at the same time. It’s also an odd duck, as novels duke it out with short stories and mixtures of both. Still, the Campbell Award often ends up being my favourite slate – in previous years I have preferred the novels represented here to those in the novel category.
What happens when SFF fans nominate comic books for an award? Usually I would say you get fewer superhero titles and more SFF, but this year fully half the titles contain avengers, though not the avengers you are thinking of. Also, I love comic books, but I have no knack for visual criticism, so I apologise in advance to both readers and artists if my art criticism boils down to “it looked pretty”.
The Novelette and Novella are the ugly step children of the Hugos, novelette being a long short story, and a novella being a short novel. Nonetheless, they are often have the most diversity in offerings of the categories. This slate of novellas is particularly strong, with five of the six stories being excellent and deserving of award.
The Novelette and Novella are the ugly step children of the Hugos, novelette being a long short story, and a novella being a short novel. Nonetheless, they are often have the most diversity in offerings of the categories.
I loved Old Man’s War, became increasingly disillusioned as the series went on, then jumped off the Scalzi train with Redshirts, which was a great idea of a book that I just hated. Still, my residual goodwill for that first book was enough to get me to try his new space opera, and while not an instant classic like Old Man’s War, this was a thoroughly enjoyable book.
This should have been a slam dunk: an intergalactic agent fights terrorists and negotiates with aliens while accompanied by a pet shuriken at the behest of an immortal Japanese administrator working for a superintellegent AI. Furthermore it comes with an impressive pedigree, as the first of over a dozen polity novels by Neal Asher. Unfortunately it’s just kind of there, not bad, but inferior to similar books such as Altered Carbon or most of the Culture novels.
The problem with Among Thieves is that it is two great novels fighting against each other to make one merely good book. Drothe is a classic lovable rogue; he’s an information dealer with interesting relatives, a homicidal best friend, and a bit of an attitude. The parts of the story where he interacts with his informants, navigates the obligations of the kin (fantasy mob), and tries to avoid being knifed are amongst the best examples of a fantasy underworld I’ve seen. At the same time, the high fantasy story of an empire ruled by a triumvirate of serially reincarnating emperors who are becoming erratic and beginning to hate each other hold endless promise.
In the current climate it is very easy to focus on the big picture of the Handmaid’s tale: a take over of the US by religious fanatics leads to the wholesale oppression of women. This would however, be a disservice to what is an incredibly personal tale. At its heart, this is a book about what happens when you treat people as things, and what people in that position will do to survive. By focusing the story down to one person, the misogyny in the Handmaid’s tale expands beyond its setting to stand in for the depredations leveled against women in the past, present, and most distressingly, the future.
Bertie’s acquaintance Gussie is down on his relationship, and Bertie is worried if it falls through his bachelorhood may be imperiled. His friend Coldmeat is worried that another man will get between him and the love of his life and emplores Bertie to help. Coldmeat’s sister, Corky, can get men to do what she wants, but can’t get the man who loves her to stand up for her, and is dragging Bertie out to the country to help out her uncle, the Vicar, with his show. Over the course of the book, identities will be confused, engagements made and broken, and farce will ensue.