Obviously the companion category to Long Form, Short form here means shorter than 90 minutes. Unlike its longer cousin, this category often has a diverse range of media beyond tv and short film, and as such is the more interesting non textural category. Unfortunately this is also the category that, as I predicted at the beginning of the Hugo season, I couldn’t get to all of the entries in.
I did not read a lot of 2018 books, in 2018 or now. Given my ignorance, I tend to nominate things that might not get attention otherwise, that stood out for some reason, or that are so good, they would have gotten nominated anyway. I also don’t usually write about my nominations unless they are really off the beaten track, but I haven’t posted in a while, so with that out of the way
I’ve been pretty harsh on recent seasons of Dr Who for having over-plotted season arcs, a poor understanding of time travel, and a lack of conviction that just wore me down. This season could have just given us a female Doctor, told some bog standard, standalone Dr Who adventures and I would have been happy as a woodchuck. Instead, they not only fixed almost all of my problems, but Dr Who feels like it has come back with a purpose – it has things to say and it’s not afraid to say them.
Since I managed to see four of the nominees in this category in my normal watching habits, fitting USS Callister and a short track didn’t seem like much of an ask. It’s also worth noting that I nominated three things in this category: Badwater from Alice Isn’t Dead, Michael’s Gambit and Dance Dance Resolution from The Good Place. Given one of these got nominated, it’s clearly going to be top of my list, right?
The critical consensus has been savage, and the post show pile on has continued. However Netflix will be pushing forward with the Defenders, and possibly with further Iron Fist seasons. Rather than lament the Iron Fist we could have had, let’s look at what can be done to salvage the character, using what we have on the screen.